LB-RBThe Last Unknowns (Review): An open-ended invitation to explore Posted on June 17, 2019August 2, 2019 by scientificinquirer0 comments on “The Last Unknowns (Review): An open-ended invitation to explore”
LB-RBAme Dyckman And Scott Magoon’s “Misunderstood Shark” return with some bite Posted on June 10, 2019August 2, 2019 by bricemarsters0 comments on “Ame Dyckman And Scott Magoon’s “Misunderstood Shark” return with some bite”
Everyday Science LB-RBBacteriophage therapy makes all the difference in “The Perfect Predator” Posted on June 7, 2019August 2, 2019 by scientificinquirer0 comments on “Bacteriophage therapy makes all the difference in “The Perfect Predator””
LB-RBTravis Bedel’s Memento Mori Posted on May 29, 2019August 2, 2019 by bricemarsters0 comments on “Travis Bedel’s Memento Mori”
LB-RBClémence DuPont: The history of the Earth in 8 magnificent meters Posted on May 21, 2019August 2, 2019 by scientificinquirer0 comments on “Clémence DuPont: The history of the Earth in 8 magnificent meters”
LB-RBAnnelies Slabbynck: Exploring the imperfect mutability of the female body Posted on May 10, 2019May 10, 2019 by bricemarsters0 comments on “Annelies Slabbynck: Exploring the imperfect mutability of the female body”
LB-RBEmotionalism and Empiricism In the Lab: Andrea Rothman and The DNA of You and Me Posted on May 3, 2019June 6, 2019 by bricemarsters0 comments on “Emotionalism and Empiricism In the Lab: Andrea Rothman and The DNA of You and Me”
LB-RBVasia Hatzi: Confronting Science from a different perspective Posted on April 24, 2019June 6, 2019 by scientificinquirer0 comments on “Vasia Hatzi: Confronting Science from a different perspective”
Everyday Science LB-RBThose paintings staring at you really are staring at you Posted on April 24, 2019April 24, 2019 by scientificinquirer0 comments on “Those paintings staring at you really are staring at you”
LB-RBCaptured, conserved and reinterpreted: Marcos Navarro and the Wilderness Posted on April 16, 2019April 16, 2019 by bricemarsters0 comments on “Captured, conserved and reinterpreted: Marcos Navarro and the Wilderness”
